Sunday 30 September 2012

The Mysterious Incident of the Glass Eye - Part 1

Just wrote this story, which I thought I'd share.  I started it at WriteNight on Monday, inspired by the writing prompts MYSTERY, GLASS EYE, DOCTOR'S SURGERY.  I have divided it into sections so it's not too long all in one go and I will post it over the next 6 days.  I hope you enjoy it! 

The Mysterious Incident of the Glass Eye - Part 1


“Aye Aye! What's going on 'ere then?” Inspector Bailey's voice boomed into the waiting room. Completely inappropriate, in the circumstances. As he took in the scene, he began to wish the ground would open up and swallow him.

When Jones had called him, at the station, to say there had been an 'unfortunate incident' in the local doctor's surgery, involving a glass eye, he couldn't prevent his inner comedian from dancing the foxtrot in the darkest recesses of his mind. Thus, he had wandered, unbidden, into the worst social faux pas of his career to date.

Before him, was a scene of absolute horror. Two elderly ladies sat on one side of the room, clutching their handbags with both hands – hands, which he noticed, were much shakier than you would expect – even from the elderly. As he made the observation, Bailey made a mental note to put his name down for that course he had seen advertised back at the station – 'Banishing your prejudice – open minded policing for a more peaceful community.”

Again, that evil, foxtrotting comedian reared his waxy moustached head. “Imagine a version of the London riots,” he leered, “where pensioners tore round the city, burning things because of some terrible police related injustice – probably involving tea and biscuits.” Bailey shut him out, focusing on the task at hand; two old ladies shaking, their eyes focused glassily on the centre of the room, where a pool of blood was slowly congealing, forming a sticky crust on the parquet flooring. In the pool, lay a man – or at least, he used to be – slim build; might have been six feet tall, had it not been for the unfortunate absence of his head. His sharp pinstripe suit was a write off; his glossy shoes – redeemable.

“Bailey!” He yelled at himself. “Never mind the suit or the shoes. Where the Hell is the man's head?”

Looking around him, the answer was obvious. It was sprayed all over the wall adjacent to the old ladies – and all over a poor teenager and a little boy seated in front of the wall. Their silhouettes formed white figures within the fine spatter marks. It looked like a graffiti artist had spray painted the man's brains onto the wall. Both youngsters stared vacantly at the headless corpse, their jaws hanging open in disbelief. This was going to cost psychiatric a lot.

At that moment, Jones walked in, pulling on a pair of latex gloves.

“Ah, Bailey,” he beamed. “What do you make of all this?”

Bailey paused a moment. “Different.”

“Just had a chat with the receptionist,” Jones revealed. “She's a hottie and the only witness who's not catatonic. Did you know she met one of the men from her little black book at the weekend? Apparently, she was on a spa weekend and he just walked in with his big ...”

“The case, Jones!” Bailey snapped.

“Right. Sorry. She reckons it was the weirdest thing. This guy – the headless horseman over there – walks in, demanding to see a doctor. He's not a patient here so she pesters him for his details and he just shouts at her – all aggressive like – and demands to see a doctor. She notices he has a glass eye which has a light blinking in it. He screams this bloodcurdling scream and his head explodes – just like them fembot things in Austin Powers, only ...” Jones indicated the carnage behind him, “bit messier.”

Bailey was incredulous. “You telling me his glass eye blew his head off?”

“Cool huh!” Jones loved a gruesome crime scene.

“Hmm...” Bailey grunted. He pulled a pair of latex gloves from his pocket and tugged them onto his hands, satisfaction filling him as the flexible material snapped against his skin. He examined the reception desk and noticed a small, circular object. Pulling a pair of tweezers from his inside pocket, he picked it up and dropped it into a transparent evidence bag. He glanced at it. It glanced back. Bailey jumped. It was a hazel iris with a minute circuit board on the reverse side. “Jones!” Bailey yelled. “I've found the detonator!”
 
© Annie Bell 2012

Saturday 29 September 2012

Essex and Suffolk Quilters - Jubilee Quilt Festival

I just returned home from the Jubilee Quilt Festival, organised by the Essex and Suffolk Quilters.  I decided to take my Mum as she has been a quilter for as long as I can remember.

When we walked into the Village Hall, I couldn't believe how many quilts were hung up for display.   There were, in fact over 91 individual pieces.  There were too many to mention individually so I will mention a few, which really stood out for me. 

First of all, was 'Jungle Fever' by Sheila Frankland.  Her use of green and purple tones on batik fabric really appealed to me.  I loved the colour combination and the pattern was also attractive.

'Lottie's Jelly' by Margaret Stickland taught me what a 'Jelly Roll' is.  The quilt was a strip quilt with a pink background and a pattern of pink and green tones in the centre, made up with horizontal strips of fabric.  It was a lovely piece.

Pauline Stimson placed two pieces in the show; 'Floral Bouquet', which consisted of pretty patchwork floral motifs on a creamy background and 'Perklomen Valley Quilt', which was made up of various squares and triangles of purpley pink colours, carefully put together to create a subtle and interesting design.

'Mile a Minute' by Hilary Davis was a small quilt made up of squares.  The squares were consisted of oddly angled strips of green and purple fabric.  the overall effect of this was beautiful.

'London Pride' by Sheila Gray taught me a second cakey patchwork term - 'Layer Cake' This piece was made up of a range of typically British images and really captured the Jubilee year atmosphere.

Anne Moscrop had created a stunning quilt, which depicted a beautiful scene, showing, as the title suggests, a 'Mountain, Fields and Water Wall'.  

Lynne Edwards MBE (an honorary member) exhibited a quilt using what is called the 'Cathedral Window' technique.  She had used this in an interesting and different way, which made it look rather like an abstract peacock. 

I was also impressed by Sarah Impey (another honorary member)'s piece called 'Timelines', in which she depicted a collection of words to do with time.  It really appealed to my geeky language loving side!  The use of colour accentuated particular words to good effect.

Aside from the exhibition, there were fabrics on sale as well as items made by members.  Really good if you want to buy some unique Christmas presents.

I am not a quilter but I enjoyed the exhibition.  It was well worth a look.


The exhibition of work by members of the Essex and Suffolk Quilters was held in the Village Hall, Ford Lane, Alresford and will still be on tomorrow, so, if you are interested, go and have a look!

The Essex and Suffolk Quilters meet on the 2nd Thursday of the month at The Hythe Community Centre, 1 venture Place, Colchester CO1 2FG.

Friday 28 September 2012

Anno Dracula by Kim Newman

I just finished reading 'Anno Dracula' by Kim Newman.  I am a big fan of vampire stories - Not in the fashionable sense - I have never read Twilight or watched the films.  My all time favourite novel is 'Dracula' by Bram Stoker.  I am a massive fan of Anne Rice's 'Vampire Chronicles' and I really enjoyed Dacre Stoker and Ian Holt's sequel to Bram's novel: 'Dracula - The Undead'.

I was in Colchester Library in August and I discovered 'Anno Dracula' completely by chance.  It grabbed me instantly, as does any book around the subject of Dracula and I decided to give it a go.  I really enjoyed it.

For anyone who is unfamiliar with this book, it depicts an alternate version of Victorian London, following on from the events of Bram Stoker's 'Dracula.  Newman has decided to explore a London where, instead of defeating Dracula, Van Helsing, Godalming, Seward, Jones and the Harkers failed to defeat him and Dracula has gone on to wed Queen Victoria and increasing numbers of people have decided to turn to vampires.  

Against this back story, Newman has explored the story of Jack the Ripper in an interesting manner, which is truly compelling.  I really enjoyed his descriptions and found myself really connecting to the characters.  Newman used many characters from Victorian literature in this story.  I loved the idea that characters from across literature could all be existing together in some kind of parallel world.

My geeky side was really pleased by the many appendices added at the end of the story.  It was fascinating to gain an insight into Newman's thought processes when writing the story and creating his characters.  I found it interesting but it was also useful to me, as an aspiring novelist, to see the depth of thought applied by someone who has been so successful.  Aside from that, I was astounded by Newman's depth of knowledge of vampire literature.  Amazing!

If you like vampire stories, this is well worth reading.  Have a look!


Thursday 27 September 2012

The Minories, Colchester

Recently, I went with my sister to The Minories Gallery in Colchester.  We had heard about the Open Studios which have been taking place around the local area and, having read that some of the work produced by the artists was on display at The Minories, we decided to go an have a look.  

We ended up looking around the whole gallery.  I had never been inside before and I thought the location was fantastic.  Wonderful natural light lit the works of art and the view over the gardens was peaceful and relaxing.

In The Minories' Collection, there were a number of works, which I liked.  

The 1926 portrait of Victor Batte Lay by Frank Daniell captured me from the other side of the room.  The subject beams out from a black background, which, to me, was reminiscent of some of Leonardo Da Vinci's work.  I was really taken with it.

The 1965 'Gull Head' by Bernard Reynolds in bronze looked brilliant.  I liked that he had the beak pointing upwards, lending an abstract quality to the piece.

Other pieces I enjoyed looking at were:
  • Michael Rothenstein's 'Night City' (1977)
  • (Copied from) Joseph White of Derby's 'Boy blowing up a bladder by candle light'
  • John Sell Cotman's ink drawing of St Botolph's Priory.
The 'Open Studios' exhibition was lovely.  It was great to see such a diverse selection of work from local artists.  I was particularly taken with the work of three of the artists.  

Firstly, a series of photographs called 'From the Monument Project' by Chris Meigh Andrews.  The series consisted of four photographs, showing a panoramic view of London at dawn, morning, dusk and night.  The way the view altered with different light was very interesting.  This was of particular interest to me, as I have been thinking about using a similar approach to create a series of images around Charlotte's pool.  It certainly gave me food for thought.

Secondly, there were two pictures depicting local scenes.  'Karl and Onions' and 'Crate - Manningtree Market' by Michael Checketts were well executed and vibrant.  I particularly liked the view of Manningtree Market.  The colours used really brought both scenes to life.

Finally, I was impressed and inspired by Anne Barclay's piece.  There was no name on it, but it showed a small, child's dress, hanging in a frame, embroidered with a piece of writing.  It was wonderful and, again, I was inspired for my work about Charlotte.

This weekend is the last weekend of the Open Studios but the exhibition in the Minories goes on until Tuesday 2nd October.  Do go and have a look!

For more information, look at the website for Colchester Open Studios - www.colchesteropenstudios.org

Wednesday 26 September 2012

Wilfred Owen

A couple of days ago, I had the TV on in the background and a programme came on, in which the First World War poets were mentioned.  Amongst the poets discussed was my favourite poet of all time - Wilfred Owen.  It made me think again about his powerful poetry.

I still remember the first time I came across Owen.  I was sixteen and my English teacher introduced the class to Owen's poem 'Dulce et Decorum Est'.  I was inspired by his vivid and truthful descriptions as well as his obvious talent in manipulating the English language.

A couple of Christmases ago, I bought an anthology of his work and read the volume cover to cover in one evening.  I was later to study a selection of Owen's poems when I was preparing for an AS exam in English Literature.  In depth study revealed even more clearly the skill and magic of his writing.

Tragically, Owen was killed in action on November 4th 1918.  There is even talk that his mother opened the telegram, informing her of his death on Armistice Day.  A cruel irony, indeed.  

Owen's grave in Ors Military Cemetery.
 









 









 


In 2010, I was in the Somme with my boyfriend, showing my parents around sites relevant to our family history.  After they left for the rest of their holiday, we decided to take the journey to Ors to find the grave of my hero so I could pay my respects to him.  It took quite a while to get there but it was worth it.  As I looked around, I had to wonder how many other aspiring writers had visited him, inspired by his work.  

If you have never read Owen's work or if you found it tedious or awful because of the pressure of impending exams, I cannot say strongly enough how worthwhile it would be to revisit his work or to discover it.  He was a genius.  His use of half rhyme in 'Miners' adds a sinister tone to the poem.  His description of the battlefield as it might be viewed from above in 'The Show' is grotesque but honest, giving a unique insight into the grim nature of the war.  The way he draws attention to the physical and mental disabilities caused by the experience of war in 'Mental Cases' and 'Disabled' is shocking and sad.  In every poem, he inspires utter pathos in the reader, simply by depicting the truth.  His skill as a poet is, in my humble opinion, mindblowing. 

Tuesday 25 September 2012

WriteNight Colchester

At last night's WriteNight meeting at 15 Queen Street, we had an interesting challenge.  Sue Dawes - one of our members - had organised a genre based activity, where a genre, object and location were pulled out of a hat.  We then had to create a piece of writing based around that.

Our choices were:

Mystery ... Glass eye ... GP surgery

Romance ... Phonebook ... Luxury Spa

I chose the former and began a gruesome tale of murder most foul ... I have decided that the story has legs, so I am going to continue with it to see where it goes, although I have a number of ideas. 

Everyone, who read out their work, came up with some pretty exciting ideas based on the few themes provided.  As always, it was fun to see where people's minds took them.  Amongst the offerings were a story about seeking an exotic love somewhere abroad, a spooky tale of a mysteriously discarded glass eye, an observational piece about the characters in a doctor's surgery, a romantic tale and an interesting take on romance, in which the lovers were brutally assaulted - the happy ending being the fact that they didn't die!

It was good fun and some fantastic work was produced.  Looking forward to next time.

The next meeting is on Monday 8th October at 7.30 in 15 Queen Street

Monday 24 September 2012

Birthday Cakes

Everyone knows a birthday isn't the same without a good birthday cake.  Over the course of this year, I have made four birthday cakes and I thought I'd write a little bit about them here



The first cake I made was in February.  I made a tiger cake for my Godson's second birthday.  

The cake itself was double chocolate chip and was covered with chocolate buttercream icing, prior to the sugarpaste being applied.  I was particularly proud of the fact that, with the exception of the tail, every part of the tiger's anatomy - even his ears - were made of cake rather than big chunks of icing.  He loved his 'rah rah' cake a lot!



 
The second cake I made was in March for my boyfriend's mum's birthday. 

This was a chocolate cake with chocolate buttercream again.  I decorated it with sugarpaste flowers, which I designed myself.  The whole cake was embellished with piped royal icing and sugar pearls.



The third cake was for my Mum's birthday in July. 

This cake was an awkward beast.  My mum wanted a chocolate walnut cake, my brother does not like nuts and my sister is allergic to chocolate.  As such, I had to find a compromise and this was it.  The bottom tier was a chocolate walnut sponge with chocolate buttercream.  The middle tier was a double chocolate chip sponge with chocolate buttercream and the top tier was a lemon sponge with lemon buttercream.  The variety went down well and I was pleased that the cake stayed in one piece!




The final cake was a joint effort.  In September, it was my Dad's 60th birthday and we were throwing a party for him.  We needed a cake that would feed 50+ people and this was it.
 

My sister made the cake on the left - a cherry sponge with plain buttercream - and I made the one on the right - a chocolate and vanilla marble cake with chocolate buttercream.

The idea for the design was to create the number 60 in the form of a painted canvas for the number 6 and a pallette for the 0.  The numbers were then surrounded with sugar paste versions of various things my dad likes.  We designed the decoration together but made them seperately.  We were pleased with the results and managed to get more than 50 slices out of them!


I wonder what the next cake I bake will be...



Thursday 20 September 2012

Charlotte's Pool

Following on from my earlier post about my meeting with Reg, I am happy to report that I followed Reg's instructions and I finally located the original site of Charlotte's pool.

The pool itself is very near to the modern Lethe Grove estate, within Friday Woods.  It is marked by a deep hollow in the ground, which two enormous horse chestnut trees tower above.  Their roots are eroded, word and fully exposed on one side.  It is a strangely eerie and beautiful sight.  


Sadly, many people have seen fit to use the site as a dumping ground for rubbish.  It is such a shame as the pool, in its day, was a stunning sight.  A semi circular shelter stood at one end of the pool, with three recesses for Charlotte and her maids to sit in.   The pool itself was built in red bricks and decorated with hundreds of shells.  In the central recess was a massive stone bearing Charlotte's name.  

To see it now, you would never imagine the splendour of it.  A picture of what remained of it in 1926-7 is located in Colchester Library.  It shows a vague shadow of what it might have been. Even that looks beautiful.

In a newspaper report from the 1930s, the pool is described as follows:

"Here in Leafy Grove is Charlotte's bathing pool, snugly built in the rising earth, and below, near where the small crystal stream of spring water flows eternally onwards is the pool itself.  The pool is circular in shape, encased in red bricks and cement, rather small in circumference.  Cut on the rising ground is Charlotte's toilet room, a perfect little arcade.  Here in the centre is Charlotte's little niche, where she could rest at her ease, disrobe, walk out and descend a few steps and enter the circular shape pool and bask in the limpid waters.  Her two maids, who had seats in the crescent shaped niches, formed a useful bodyguard, together with the large and faithful wolfhound resting on the rising ground above the pool where Charlotte took her fresh morning bath."

To purchase a copy of 'Charlotte -The Lady in White' a novel based on the Life of Charlotte White, nee Smyth, please click the link below


Wednesday 19 September 2012

Charlotte's Pool - Charlotte's Family

As regular readers will know, I have been spending quite a lot of time researching, writing about and painting around the subject of Charlotte White (nee Smyth) of Berechurch Hall.  

Last week, I met with Reg Johnson, who wrote a fascinating book on the history of Berechurch Hall.  He arranged for me to meet some of Charlotte's living descendents.  

How I came into contact with Reg was a strange string of coincidences.  I told my Dad about my research for my story, he told my great uncles, and my great uncle and auntie told me they knew the location of Charlotte's pool.  We went in search of the pool without success but we did make contact with a string of people, who led me to Reg's book and, therefore to Reg.  

Reg is an amazing historian, whose research on Berechurch Hall is extensive and impressive.  He showed me many interesting documents and images pertaining to Berechurch Hall and the families who have lived there.  Charlotte's descendents were lovely - really friendly.  They found Reg through a similar string of coincidences.  It seems that someone wanted us all to find each other.

Reg also told me the location of Charlotte's pool and I am hoping to find it soon.  

If you are interested in reading Reg's book, there are two copies available for loan in the Local Studies area of Colchester Library. 



To purchase a copy of 'Charlotte -The Lady in White' a novel based on the Life of Charlotte White, nee Smyth, please click the link below



Wednesday 12 September 2012

SKOPT - Some Kind Of Poetry Thing - Monthly meeting.

Last Wednesday night, I took myself over to SlackSpace in Colchester for the monthly meeting of SKOPT (Some Kind Of Poetry Thing) which is run by Steve Lawton

It's the second meeting I have attended.  I decided to join because, although I have been writing poetry for as long as I can remember, I have always felt reticent about reading it out publically.  I decided that I need to get a bit braver and actually try to get some of my work out there.  I love to sing publically, so why not learn to be more confident in performing my poetry!

I had a great time.  They are an awesome bunch of people and I have to say, it's only the second time I have attended but I already feel much more confident about reading out my poems.  The atmosphere at SKOPT is friendly and any critiques given are really objective, constructive and positive. 

The only question now is ... do I have a go at the Poetry Slam at the Arts Centre in October?  Watch this space.

Tuesday 11 September 2012

WriteNight Colchester

Last night I went to the WriteNight meeting at 15 Queen Street, organised by Emma Kittle.

Excellent progress is being made on the Anthology.  Final edits are nearing completion and now the order of the stories is being worked out.  Once complete, this anthology will be well worth a read.  Watch this space for more information.


Aside from Anthology talk, we did an interesting bit of writing practise, inspired by newspaper headlines.  It was an interesting way to get inspired.  I thought it might be interesting for you to have a look at what I scribbled down.  I have ideas for where this piece of writing might go later but do comment if you have opinions.



Based on the headline "Hardly the First ..."

The afternoon felt more like twilight.  Sarah glanced out of the window.  The scene below her cosy bedroom resembled an impressionist painting; the fine detail replaced by the rain's brush strokes on the glass.  


The window seat was much more comfortable since she'd finally covered that specially shaped piece of foam Gary had bought.

The mundane thought stuck in her throat like a rancid piece of gristle.  She stretched her legs the length of the cushion, wincing as she noticed how the pink, floral, Laura Ashley fabric clashed with her red skirt.

How could she notice such run of the mill things at a time like this?

She sighed, her breath condensing on the cold glass as she rested her head against the window.  The rain beat a gentle patter, pacifying her overwrought nerves.

Suddenly, a gutteral, animal sound leapt from her lungs.

"Gaaah!"  Something inside her had finally snapped.

Sunday 2 September 2012

The Melancholy Death of Oyster Boy by Tim Burton

Last night, I was very pleased when, whilst rummaging through my bookshelves, I rediscovered my copy of 'The Melancholy Death of Oyster Boy' by Tim Burton.

I still remember the moment when I first discovered this book.  It was at least 5 years ago.  I was in HMV with my brother Tom, and we were just looking around.  In the books section, I spotted 'Oyster Boy' and was intrigued.  I had no idea that Tim Burton wrote poetry but the second I looked inside and saw the amazing illustrations in Burton's unique and instantly recognisable style, I fell in love with it.  

I didn't buy the book at that moment but I was to be surprised.  That Christmas, Tom presented me with my own copy.  It was a great surprise and I was really pleased.  I read the book from cover to cover that very night.  It was amazing.  It only took about 15 minutes to read the whole thing but the content was great.  

In this book, Burton employs his gruesome, gothic imagination to stunning effect to create 23 tales of really weird misfit children and their terrifying (and often short) journeys through life.  One of the biggest things I loved about this book, was the way it reminded my adult brain of the buzz I got, as a kid, reading Roald Dahl's work.  Gruesome yet awesome. 

I've always said I would like to go for a walk through the world in Tim Burton's head and I must say that reading 'Oyster Boy' is almost like breaking into one of its streets and going for a disturbing and twisted walk (in a good way!) I love it.